On the Rough Guide musical tour of the world, next stop is Vietnam! And as usual they've excelled in offering a CD full of great music that's evocatively representative, widely ranging, and eminently listenable. From contemporary pop songs to time-honored folk lyrics, from popularly traditional melodies to globally-influenced innovations, this CD will take you on a crash tour of one of the most exciting musical landscapes on the planet (and the stuff people in Vietnam are really listening to). If you've never heard Vietnamese music before, you can't find a better intro than this album. On the other hand, if you've been a big fan of Vietnam's incredible music for years, you'll appreciate this fine selection and find a few surprises--Vietnamese Blues? "Rider in the Sky" on the dan bao recorded poolside in Saigon? You'll only hear it here! But every track is golden in its own way, lovingly handpicked by the compiler as is standard practice with Rough Guide CDs.
Speaking of the compiler, Paul Fisher's liner notes are well-written and do the job nicely of introducing each performer and singer while contextualizing and placing the music within the overall musical culture of Vietnam--no stuffy musicological details, just the right amount of background so that the listener can pretty much know and appreciate what's playing. And the tracks are introduced in the order that they appear on the CD (a common sense arrangement that some Rough Guide CDs have gotten a bit too fancily experimental with), so it's easy to follow along with the music--at least the first time, and with this music, it'll be the first time of many!
Artists include - Huong Thanh, Than Quy, Cam Ly, Blue Asia, Thu Hien, Kim Sinh, Khac Chi Ensemble, Tranh Sao Bao, Huy Du, Tuyet Tring, Nguyen Thanh Thuy, Van Khanh, Quang Linh, Chau Dinh & Ca Hue Ensemble, Dan Bao Vietnam
Freestyle music was very popular, if not win the popular genre of music in late 1980. 'S stations like Hot 103 in New York City, a huge following because of the music freestyle. Artists like K7, Lisette Melendez, Judy Torres, George Lamond were quite well known names. The best known and respected music producer Freestyle music was Carlos "After Dark" Berrios.
But over the years on musicStations began to change their format, moving away from music freestyle and play more rock, alternative music and hip hop. Major record companies began to dictate what stations to play and the genre slowly disappearing from the waves of air.
For fans of freestyle music, today announced that Carlos Berrios revitalize the genre through the development of a new double CD entitled "Do not Look Back" broke into a session and session. Old school artists such as GeorgeLamond, Lisette Melendez and make the K7 album. School new artists like Joei May, Katia and Jessica Fabus lead to albums.
Radio stations in markets like New York, Los Angeles and Detroit play this new material? I doubt it, like a radio commercial that plays pretty much the same 30-35 songs every couple of hours. Fortunately for fans of the real kind of music the 1980 freestyle, we can still get your hands on some new material, thanks to CarlosBerrios.
Will be published for more information on the new freestyle music, go to http://www.ADMRecords.com
I highly recommned this cd and am enjoying it ALOT! I would recommned it to anyone as it has so many great feel good song's.
Finding the right songs for funerals or memorial services may seem difficult, since most families are in shock and overwhelmed with the regime. However, there are some simple concepts behind the selection of funeral music, this process can go smoothly.
Often people have left instructions for playing orally or in writing, a song that was important to them in their lives. Ranging from old spirituals to folk songs, hymns, tunes rock,the choice can seem confusing casual acquaintances, but a close relative or friend will understand and can use the collection of mourning, the significance of this song shares. The honor of the late application, mourners one last chance for a moment with her lover, to share with each other. This provides a consistent, when all present can live a comfortable and powerful moment of shared grief and touching celebration of lifecompleted.
Regardless of the level of most people of religious observance that some of the songs relate to Scripture, can give a known source of strength. Christians and Jews in general, including Psalm 23: "The Lord is my shepherd ..." This prayer has many settings, in both English and Hebrew. A particularly elegant version in Hebrew by Gerald Cohen, called "Adonai Roi written."
That transcends religion, everyone wants to be remembered as a fact, a validPerson. We are as important as the love that we have created and now behind him. The poetry of Native Americans, "I am with you always" (sometimes written "I will not die") offers a refreshing reminder that our loved ones remain in our hearts, waving in the air, that all he wants to remember. "I am with you still" a musical environment in English, with a phrase in Hebrew, from Proverbs 10:7, the translation chosen to "call the name of the righteous, into a blessing." This is a perfect song for a funeral or memorial service for children and adults. When speaking the name of our beloved, we remind him or her as a blessing in our lives and the world.
Songs for the funeral to offer grief with a powerful and important opportunity to reflect and share their pain, immerse yourself in love and gratitude, and create a new and last memory that can be used in potentially difficult and sad times ahead. Later, as time passes and the pain subsides, these> The music can be a sweet memory and relaxing the gift of loving and being loved.
The legacy of the famous Austrian composer Wolfgang Amadeus Mozart bequeathed to today's generation of organists and composers in the music scene remains strong. The influence of symphonies and operatic melodies is still visible in the elite circles and thematic concerts in Europe and the private United States. To discover the uniqueness and passion of a household name in Europe in the entertainment industry, you can download the music of Mozarton-line.
The music is a gift to our ears, a blessing for our lives. Classical and nostalgic melodies are timeless pieces that people remain faithful even to the time of the Millennium. These songs from 14 to 18 century are of course traces how music has evolved over the years. Free Music by Mozart, you have a trip down memory lane, when there were strong symphonies followed by music fans.
Mozart may die at a young age of 35 in December5, 1791, but he never wasted his time around the world have a great music of Mozart as a free download on the Internet. Its line-up are music for clarinet and orchestra, string quartets, 20 piano concertos, Symphonies 36-41 and is the most famous Requiem. Popularity among all European musical conductor of Mozart's sustainable, because his works, the birth of the concert repertory standard. His genius in music have outputs of Europe into a positionTowards a world leader in the history of the entertainment industry.
Free Mozart Music takes you a sweet and classical compositions. Danish Broadcasting Corporation, for example, provides free access to nine symphonies by Mozart in MP3 mode. The music files on the network regardless of where you caught for downloading. How to meet the privilege, you can download a free copy of songs by Mozart, do not delay, do not lose too much. In more music and MP3 notnecessary to defer taxes. In this way, you can benefit from risk-free and are saved.
Songs from the 16th century, can not or charges to be heard. You will not have DVD or VCD is no longer available. At any time of day, you can freely and legally download free music of Mozart, reflecting the commitment of Mozart's music is infinite. Austria has published its pride scores online, for example on the International Mozarteum Foundation in one. Most of his songs are MoonlightSonata, Rondo, Le nozze di Figaro, Andante, Adagio and Allegro.
The trend of downloading music online makes it easier for you to get free music of Mozart. Less than 250 years by the memory of Mozart, his masterpieces played over and over in the minds of his fans. Like Beethoven, was recognized as the most influential icons in the music world.
"Orange crush mama, it's a laugh laugh laugh."
A rip at R.E.M., perhaps?
Nevermind. This is the best STP album and, like many of the other reviewers have said, one of THE underrated albums of the last decade. I got turned onto these dudes by my son, thirteen at the time Core came out, and this is first-rate rock and roll in an era when rock was dying a slow death after Kurt's freakout. Who knows why the critics crapped on this band so much. (My theory is that the story went around about "Pretty Penny" being an anti-abortion song, and you know how the tolerant Left deals with heresies like that one.) I guess you just need to shave your head, declare you're bisexual, and denounce the USA to garner the acclaim. Eff them. The Pilots may never wind up as background music in a TV commercial, but they truly rocked...and Tiny Music was as good as it got for them.
This is an outstanding CD. It consists of three orchestral works by the contemporary American composer, George Rochberg (b. 1916), including world premiere recordings of his Symphony No. 5 and his Transcendental Variations. The Saarbrucken Radio Symphony Orchestra conducted by Christopher Lyndon-Gee offer impassioned, convincing performances. Lyndon-Gee's liner notes for the CD are insightful and informative. The CD comes at a budget price as part of the Naxos "American Classics" series.
But the overriding reason to hear this CD is Rochberg's music. During a long compositional career, Rochberg has used many styles ranging from atonality to traditional diatonic music. This disc has examples of several different combinations of tonal and atonal music. For all their stylistic differences, the music on this CD has a passionate, visceral appeal, combined with a discipline and tautness resulting from attention to musical form. Lyndon-Gee's liner notes aptly use the term "hard romanticism" to describe this music.
The highlight of this CD is Rochberg's infrequently heard Symphony No. 5 (1984-1985) which is here recorded for the first time. This is a symphony of about 28 minutes which consists of a single movement. The symphony divides into 7 separate sections which Rochberg weaves together without pause. Sections of passionate, tumultuous, dissonant music alternate with three plaintive, reflective episodes. There is a hypnotic use of repetition and variation of simple musical phrases in this symphony. The work opens with a falling two-note figure which is repeated over and over again with increasing intensity to a chorus of brass. The symphony's orchestration is stunning. The work features effective use of solos, particularly for brass, for oboe and flute and for violin and cello. Percussion is used with great effect particularly in the development sections. There is an intriguing section with bells gonging behind solos for flute and oboe. The music is highly dramatic, and comes to full stops at several critical moments. The concluding, climactic section of the work features repetition of a swirling figure in the strings surrounded by brass. There is a rising cresendo in a string tremelo, which brings the work to a sudden dramatic end.
The second work on the CD, "Black Sounds" (1965) also appears on a Naxos disc of Rochberg's music featuring the Boston Modern Orchestra Project conducted by Gil Rose. This work was written for the performance of a ballet on public television titled "The Act" which is about a murder. The music is ominous with march-like figures in a blaring brass choir to the incessant beating of the tympani. This is intense music with a feeling of the bizarre and a real sense of disorientation. The work progresses to a slow desolate section with the winds seemingly talking back and forth to one another. Then there is a return to beating tympani, squacking winds, and curdling brass as, apparently, the evil deed is done, concluding with a quiet fade-away. To me, the performance of the work on this CD shows greater intensity than does the performance by the Boston Modern Orchestra Project. But both performances are excellent and the music bears the two separate performances.
The final work on the CD, Rochberg's "Transcendental Variations" (1975), derives, Lyndon-Gee tells us, from Rochberg's Third String Quartet (1971-1972). This is a work for string orchestra alone and it is in seven short movements. Unlike the other two works on the CD, this music is tonal and character. Lyndon-Gee describes this music as "ecstatic". The work is slow and reflective in character with long flowing lines in the strings. The orchestration varies from sections in which the high and low strings alternate with each other to sections in which they play in unison. The music has a tranquil, elevated character. Portions of it sound almost baroque -- a contemporary, highly sophisticated 20th century Pachbel's Canon. The second and fifth movements of this music consists of gracious, bittersweet dancelike themes, which extend with great delicacy even though each of the movements is only about two minutes in length. This music is indeed mystical, transcendental, and moving.
Altogether this is a first-rate CD.
The new Apple iPhone has started to one of the most popular entertainment piece of hardware now available. One of the main ways in which this revolutionary new phone to be used for listening to music. So if you like, you can load music onto your new iPhone by asking, you are exactly correct, because in this article we will go to a few passages, it is necessary do to download music at every step you put your iPhone. The iPhone is arevolutionary device. This is because of this new gadget, which creates all sorts of entertainment that is now available for integration. You can use it to surf the Internet, listen to music (it works like an iPod).
If you're new portable digital entertainment devices, you must know, there are two ways to transfer music to your iPhone. The first is to connect iPhone to your computer and transfer music, which is currently stored on your hard drive.It is also possible to use the music on your iPhone with access to some large libraries of music that are currently available on the Internet. You will be connected to a computer for these 2 can use the music on your iPhone. For the first method, a computer is needed to help a software you download, copy music from your favorite CD on your computer and encodes them to MP3. One of the most popular software which is only AudioGrabber. It iseasy to use and all you have to do is press a button and do not copy a music CD on your computer. And from the hard drive you can copy the music on your iPhone.
The first step that you can use you to enrich your iPhone with a lot of music is the transfer of music files already on your computer. This is one step shorter. All you have to do is get the software as a ripper that is able to get your copy music from CD to anotherfaster than the normal CD playback, this means that you, depending on the speed of CD-ROM you will be able to copy a music CD in 5-10 minutes.
One of the most difficult for the music on your iPhone in the search for a reliable source for downloading free music. For example, if you use P2P software, you might get caught and at the same time you install some spyware and adware, which cause damage to your computer.
Another possibility, which you can download musiclegally available on Apple software: iTunes. This software you can download music download music from the Internet, but is necessary for each song, you pay for the download.
When it comes to rap music beats, I get a lot of questions about where to begin, the use of hardware and software, and how everything comes together. 7 tips below are important to consider when you beat a rap-music:
1. Invest in a MIDI-compatible keyboard, some producers are trying their beats with his program, only the mouse and keyboard. During this work, you will find that it is much easier to use a MIDI keyboard compatible when doing rap> Music beats. With a keyboard that allows you to load sounds test easier to play chords, melodies and natural-sounding program. Without it, everything must be done by laboriously programming in every note of hand.
2. Take time to learn the software program. If you Fruity Loops, Reason, Logic, Cubase, or any other software program used to beat, I can not stress how important it is to learn to make good use your music software. Read the manualVideo on Youtube, you can do, and perhaps above all, experiment with the beat, hands-on software. Once you have learned the details of the software, you are finally able to every musical idea you have on screen and in your rap music translate to beat.
3. Never underestimate the sounds good. It 'important that you are away from the proposed factory preset in your software and spend money to play well for rap music. You can buySounds almost all software programs for music, if Reason, Fruity Loops, Cubase, etc. A variety of Web sites are also samples of their sounds, so you can listen before you buy.
4. Mastered the techniques of mixing. To underestimate the success of rap music, never mix the importance of good technique. Mix up your skills for the success or failure of the heart. You may have put the greatest song of all time, but if the rhythm is bad, the mix of sounds is not bad. AsProducer, your work is not necessarily indicative of a "final" mix of music beat faster, because the song always be added again and the technical study a couple of things, when the song ended, tweak. It must, however, the best you can with your equipment to a solid and presentable to beat mix for your music than rap.
5. Hear a lot of music. For a well-rounded producer, you can find yourself a favor and listen to various kindsmusic. Listen to music other than hip-hop will open the brain, new types of mixing sequences, patterns of drums, singing and overall composition. This music is embedded in the subconscious, and see if it will have a positive impact on your ability to make rap music that have beats.
6. Make Rap beats as you want! In an era of today is clear that many producers make beats, as it is now possibleMake money selling items online. You will find that to be as soon as you connect the money with the music, you are much more fun to make music beats. If you have talent and passion for making music, is the money!
Thanks for reading! I hope to use these tips to make rap beats make rap beats Excel's own!
In early 1970, the cultural movement of hip-hop was born. Estilo Hip Hop's fast music is in two parts, the rhythmic delivery of rap and ofinstrumentation use by a DJ. Hip-hop music also brought a fashion itself has contributed to a fashion show with this music you just created.
Hip-hop is rooted in Western music and Afro-American. The first rap song to be placed on a vinylThe record was "Rapper's Delight", a song by the Sugarhill Gang back in 1970. This is when the parties lock has become the norm in New York, hip-hop and rap is a possibility began to explode in popularity. Hip-hop instrumentation came from funk, R & B, disco, when read together, make this type of dynamic music. When you learn the DJ to the latter block, what the people wanted, they began to mix these records and the always created music that playswith amazing transitions between
Songs. Hip-hop was actually created by a DJ named Kool Herc, a Jamaican who had moved to the United States, with a style that consisted of mixing the music with the help of two copies of the same record. Many of the poor could afford to Jamaica is not in town records, stereo systems were set up so large so that many here were the rhythmic beats. These stereo systems were the kick-off for the start of
Party development of block. Thus, with musical talent of these great DJ, was the use of vinyl record mixing hip-hop culture and rap music was born.
History of R & B
R & B, which stands for Rhythm and Blues was the biggest influence on music around the world for most of the second half of the 20th Century. Rhythm and blues is a term with a broader sense, but in general, to recognize and black pop music. This kind of music was the world of artists, "the combination of the introduction> The musical styles from jazz and blues. R & B is in fact what later, in what we know as rock and roll developed. In 1970, the term R & B was used for the soul and funk music styles we know today that describes to describe rhythm and blues. Along with jazz and blues, R & B was also affected by influences from disco and gospel music. Flexion Disco's in 1980 opened the door to R & B, really take off in popularity.
Each sector is from the restrictions of copyright music and the wedding industry is no exception affected. Select With the increasing enforcement of copyright violations, marriage between professional wedding videographers, wedding planners and all others or to engage with music in their wedding plans, are not exempt from paying taxes for all the great videos wedding wedding video and music for all other musicians need.
The ease of downloading all kinds of music, and especially the wedding music over the Internet and the file is legal or illegal, sharing programs has grown exponentially since the increased availability of these programs. Protected due to the increased availability of music copyrights, music providers more important as ASCAP, BMI and started in cases where people do not pursue adequately remunerated for the use of wedding video> Music, background music and music production professionals and other people use in their projects.
While it is impossible for large companies to pursue all violators of copyright companies, many wedding video companies, large and small have found to pay exorbitant taxes, which total well over the amount that would pay them, to adjust marriage legally purchased music in first place only for copyright infringement. Just because a video is not for the general public, not make, does not infringe on popular music as background music or music production, use and performance of the public is one of the rights reserved to copyright owners.
Professional Marriage and cameramen to fill a big order. They are not only responsible for filming the ceremony, reception and all other aspects of the wedding day, but are also responsible for the choice of> Music that compliments the spirit of the day, the personality of the couple and the high quality video through a fair and a rich soundtrack of background music and music production. Weddings today vary much more than before, more couples looking wedding music, wedding music video, that stray dogs from the traditional, ranging from contemporary to cutting edge research and progressive.
Regardless of the preferences of the couple, weddingProfessionals are required for the video of the representative of the enormous quantity of available wedding or buy the rights to the music, the couple requested from a provider of music. Unfortunately, the cost of paying royalties to large companies, both traditional and the modern, originally used in music videos for weddings, parties and receptions is extremely expensive. Wedding videographers and others who deal with many ceremonies,Receptions expected and projects per month could pay a few thousand dollars a month for the legal order popular wedding music videos, music used for weddings and all other types of wedding music.
And because every client is different and has different tastes in music, these professionals need to make sure they have a very large and extensive library of wedding music to choose from to make every single project and ensure that properly registeredthe spirit of the big day and the personality of the spouses. Not all wedding photography and professional, and particularly for weddings are just a small part of overall business plan, who can afford exorbitant royalty fees with the music copyright wedding and meeting are linked.
So, what is the answer for wedding videographers to avoid both copyright infringement and a high-quality video and original music, the marriage willtake a large chunk of their limited budget? Many professional wedding to avoid the use of buy-out music and royalty free music, because they often do not provide the best music quality background music and production to meet their complex needs and meet their demands. Although it is very inexpensive to buy the wrong royalty-free music for video wedding video can destroy a wedding, party or reception for the couple andFamily, and memories are lost forever. However, there are complete and pieces of music royalty free wedding.
A selection of wedding videographers royalty free music and video, music, marriage, which can be integrated seamlessly as background music and music production to find, and makes every musical genre, from traditional styles such as classical to rock and contemporary styles, such as light, jazz and even hip hop,Techno and dance music. The music royalty free wedding music for the wedding and videos in this great library will bring the unique personality of each couple to express and preserve the memory of their special day for years to come. And because all tracks Royalty Free Music, customers receive a very small one-time fee for unlimited use music to pay for the wedding in order to expand its library regularly and offer more choice to customers.
I loved this CD! Many of the songs I was familiar with in English, so the Spanish versions were fairly easy to learn. I love listening to and learning the newer songs. A good mix of contemporary and slightly older songs! Mas, por favor! (more, please!)
Japanese koto - luminous, surprisingly accessible sleepy-time music. Ethereal and lovely tunes with a warm and loving delivery by the singer. The listener feels enfolded in a blanket of peace. Honestly, you don't have to be Japanese to love these. Two of the songs can be heard on the "Koto World" label website.
Let's have a look at the situation then ... Maybe you're a great singer or you have a small group or even your own label. They have great ideas, but only a small budget. His father is the owner of a record company and your mother is an actress in Hollywood, so the network is limited to writers and local media groupies.
Perhaps you have already made their own CD and some sales, but I can not find the time for promotion. The concerts will bring to play a bit 'of money, but thingsnot seem to get anywhere. So while the progress?
One realistic possibility is to exploit the potential of the Internet. Of course, the Internet has often been cited as the answer to everything, but in this case, you can get results really surprising. And this is fundamental: it is very cheap and is fast.
The music is changing, has changed. We are now in transition, seriously. Discontent among the music, the buyers have a gap that creates Internetto fill properly.
The market for music on the Internet is real. A survey conducted by Georgia Tech found 41% of all Internet users have bought music from the Internet. Forrester predicts a market of USD 76 million U.S. dollars for digital music downloads in 2003 and rose to 541 million U.S. dollars USD in 2005 and further training of up to $ 2 billion dollars in 2007 to achieve.
Statistics show that there is a real market for legal music favorable.
The Internet is an ideal platform forMarketing your music. Stocks, press releases and
Positioning are less expensive here than in the real world. Your audience is already there. Web --
(along with sites like pitchforkmedia) the first point of reference for news and music as we all know is, is a major source for downloading music.
The functions of the Internet as a means of communication have a direct line to your listeners, colleagues and even your criticism. E-mail is the perfect mechanismto keep in touch with the club and sending out newsletters and is cheap.
This does not mean that if you used a web site starts the music of today and get online sales of music downloads that will be given the opportunity to the day's work today! However, the Internet can provide a lot of things that you need to promote himself as a musical artist.
This is what you can do a music website for you:
1. News Enter your fans, if your last CD is finished, you can read here!
2.Concerts in the United States or dates of concerts (revised)
3. Sell your songs as downloads of music for fans around the world
4. Press Enter
5. Publish interviews, photos and biographies
6. Enter into a communications center for dialogue with the fans and other bands
7. Act as a "calling card" for more new messages or the attention of major record labels, the first contracts for the music stage, etc.
A web site can make the musicMultimedia much better than the press or radio, and TV is much cheaper. And you can guarantee your songs as music downloads for sale around the world! Considering the relatively low start-up costs (for example, you can store scripts 1-2-3 music that was a complete "shop" and only costs $ 168 for a license tag, and only) $ 68 for one person or group.
Music downloads are now a serious alternative to the CD. At a time when most modern
Burn their childrenCD, it makes sense to change your strategy. Sales of downloaded songs as a means of inexpensive non-production costs. This means that you do not need a record deal and you are free to do what you want with your music. Package on the cover of the CD with the songs and your fans can burn the CDs themselves.
Purchase of music downloads is potentially a more satisfactory to my experience of traditional music stores. It provides instant gratification for consumers whendiscover, download and play your songs immediately.
Internet is a very flexible format. In theory, you could have a live show, record, encode and upload them later tonight, so it would be just the show for sale the next day. Dear friends this would be like a memory of a great concert. Better than a T-shirt!
Seriously consider setting up your website design and music to sell music online. A website music is often the first point of contactthe call for people - fans, label manager and A & R control you. It makes sense for you to have as an unsigned artist too.
Promote your music online has never been easier than it is now. For the year 2008. And for the fans and bands alike, this is incredibly exciting.
Because it is easier, the promotion of music for the average musician, band and author? Because it was difficult to do?
There are two main reasons why the music was hard-promotion.
First, music production and distribution was largely the domain of the five major record companies.
Among them the control of aCatalog of about 3.5 million songs (2004). This catalog of songs that have filled more than seven decades. And they were always and only a minimal loss of its catalog of 36,000 albums a year or so.
Secondly, their power to control an off-base, brick and mortar music industry, where fans have bought expensive CD-based music stores.
How easy it was to your opinion, to notice your songs, blockbuster product marketed in those days?
Why iseasier now?
Mark Vidler, Go Home Productions in Great Britain, sums up the advantages of the new musical environment.
"You do not need a distributor, because your distribution is the Internet. You do not need a label, because it's your bedroom, and you do not need a recording studio, because the computer. You do it all yourself .
In just 37 words, a musician just said what changed things.
Internet Marketing Pioneer Mark Joyner, has itsSimpleology blog that "you need a label. You do not need an agent. You do not even have a huge budget. Some people do it on a zero-budget advertising dollar.
In just 27 words, a marketing maven who had three secrets of success for the promotion of music online.
We will work with experts at hand for a second and return it to you, the songwriter, musician looking for music fans in stock.
In principle, if we take down a day job, scores, andHundreds of fans feel famous.
If you played then you play hundreds of thousands of fans. If thousands of people are your videos will be viewed or downloaded music, so it is normal for millions of video views, downloads and sales you hear shooting.
And you know what? In the age of Internet has millions of fans is just that: normal.
Let's look at one specific development of the Internet, underlines the new normal.
MySpace launchedin February 1999. In February 2008, has a MySpace profile musicians, numbering 13.4 million. Musicians typically register for three sections at 13.4 million, or approximately 4.45 million actual profiles of artists and groups.
This is big.
Each profile provides its visitors with an average of three songs to listen to. This means that on MySpace.com alone, there are about 13.4 million songs.
The song is 13.4 million.
Have you noticed what happened? In nine years(less than a decade), MySpace has more tracks together faster than the record companies.
Nearly four times as many songs, seven times faster!
What kind of nightmare of a company record. Worse still, this is just a website, are buried. What about all the other music sites?
iTunes for example, pays up to a million downloads of music. Daily.
He changed the game or has changed the game?
And the promotion of music online has become easier or is iteasier?
Michael Roberts latest CD is his finest compilation of inspirational ballet music yet. His compositions are wonderfully buoyant and the CD is designed perfectly to support a full range of barre exercises and center combinations. Michael Roberts' music adds life to every class and his masterful accompaniment provides artistry, energy and fun for all of my students.
From ancient times, Nubian peoples have flourished in the land along the Nile River. But Egyptian projects to dam the river at Aswan have, over time, submerged the Nubian territories along the Nile under water. And with the completion of the Aswan High Dam and Lake Nasser came the inundation of the entire Nubian valley in southern Egypt. As a result, the Egyptian Nubians irrevocably lost what remained of their ancestral lands along the Nile and were forcibly relocated. The resettlement has given rise to a range of social problems, and many aspects of Nubian culture and social organization that previously existed have now changed or disappeared.
Despite efforts to survive or revive their culture, at this present point in the epic history of the Nubians, when their ancestral land is lost, and when their language is no longer the medium of either their religion or their government, music may in fact prove to be the best means for preserving something of the ethos of Nubian culture, and for adapting it to further changes in the future.
I enjoy Andrea Bocelli's music a lot. What touched me about the "My Christmas" CD is that he can sing with anyone. I like opra, I just can't understand the language which means, I can't understand the story; but this CD is in english. I just love Andrea Bocelli! There is nothing he can't sing!!!
Born in 1929 and raised in Chicago, Illinois, Albertina was one of nine children in a family deeply religious Christian Baptist. His singing career began at age 10 when she and her sister joined the choir of the local church, the West Point Baptist Church, the group designed for children to be aware of the Williams Singers. This group was also in Illinois and around the mid-western states are known.
During his formative teenage years at West Point BaptistChurch, Walker was deeply from Mahalia Jackson and other well-known Gospel Singers in concert in the church instead seemed interested. It 'was during this period began with established musicians, Robert Anderson and Willie Webb sing, gaining exposure to the radio through the performance of the church with the group of Anderson.
When he began the exposure of populations to grow, Walker soon found their first recording contract with the band, Robert Anderson and Anderson's retirement, formed the caravans in 1952with some of the members of the complex ex-Anderson. James Cleveland, a young keyboardist soon join the caravan, the first in a long line of famous musicians, gospel was Dorothy Norwood, Bessie Griffin, Inez Andrews, Imogene Greene and others.
For the rest of the fifties, the party has dominated the scene of gospel music, appearing all over the world.
The group was clearly marked and equipped, in which every member has been blessed with a strong andrich voice, and Walker, shrewd as ever, allowing the rotation of the talented singer in his ensemble of women. In 1958, a young Shirley Caesar joined the band and soon became their singer.
The caravan was a driving force in gospel music until the early sixties. But with such a rich depth of vocal talent in abundance in the group, each member pursued a solo career, and beginning in 1967, was disbanded, the group of walkers. Founders of the group,Walker found himself pursuing a solo career.
Walker solo career has developed in the seventies. She made her first solo recording contract with Savoy records and later signed with other big name record companies, working on numerous projects with gospel choirs, including his church home, the West Point Choir. His first solo work, Put A Little Love In Your Heart, was recorded in 1975 and continued to lead various projects of the Gospel of Rev. James Cleveland and others. AboutWalker has a long illustrious career emit more than sixty albums, many of which Golden Hits.
Walker contribution to gospel music is generally recognized, and is often called the "Queen of Gospel." Over the years he has often collaborated on projects with other artists, producing documentation popular gold and Grammy nominations. In 1993 she was nominated for a Grammy for Albertina Walker Live.
In 2006, Walker recorded a reunion album with the Caravan, which featuredTop 40 of Billboard charts for 16 weeks. The album paved the way, was distributed by Malaco Records, and contained the names of star caravan: Inez Andrews, Delores Washington, Dorothy Norwood and Walker.
Today, he continues to pursue a life of active Christian recording career and always busy. They often work on joint projects with other artists, the Gospel Choir Walker was instrumental in organizing the operation Push popular. He also founded the Albertina Walker Scholarship Foundationthat contributes significantly. Even in Chicago, has a living gospel legends Albertina Walker, always interested in improving the lives of others through the Word of God This "Queen of Gospel" reflects a deeply rewarding life conducted under and get them all in their early exposure to the church and said "I want to encourage young people to stay with the Almighty God, because if they do, you will be safe with them." Walker has spent much of his life trying to promotePeople move with the Lord.
